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“Don’t go off Mr. Potter’s land, will you, May Nell? The fenced part, I mean. Eat some lunch soon; Billy may be gone an hour longer. Good-bye. Don’t get too tired. I’ll send Clarence if I can find him.”,

When Moses reached the barn he found Mr. Wopp just drawing up his team of heavy-work horses beside a small corral where the hay was to be deposited. On the load beside Mr. Wopp. Moses’ wondering eyes beheld Jethro—Jethro whose greatest joy was to run beside any vehicle and range the country as far as he could on both sides of the trail.,

What if they should find him? Gee! Couldn’t a boy run faster than a man? Another sound banished these thoughts; wheels on the road, whose thick coat of dust almost hushed the ring of metal tires. A horseman before, and now a wagon; this was an unusual amount of travel for that lonely road.,

This act opened with a hidden chorus that lasted two or three moments, the fairies on the one hand inviting the elves and gnomes to join them; the others responding. While this was in progress Billy rushed to the boys’ dressing room and talked furiously but straight to the purpose.

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“Betty’s not goin’ to no kingdom come yet,” assured Mrs. Wopp, her optimism rising like a star of the first magnitude to lighten the darkness of her son’s midnight sky.,

He was standing disconsolate, looking up the street for stragglers, when his mother came in again.,

LITTLE by little they learned something of May Nell’s story. Her mother had intended to start for New York on the morning of the earthquake, having been called there by her own mother’s illness. Mrs. Smith, though held to the last by household business, had let her little daughter go to visit a widowed aunt and cousin, who lived in a down-town hotel, and who were to bring May Nell to meet her mother at the Ferry Building the next morning. But where at night had stood the hotel with its many human lives housed within, the next morning’s sunshine fell upon a heap of ruins burning fiercely. A stranger rescued May Nell, though her aunt and cousin had to be left behind, pinned to their fiery death.,

“Isobel, play one of your pieces, let’s see how your recital helped you to-day.”